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Four HandsBy Paco Ignacio Taibo II
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Description:
The narrators of Paco Ignacio Taibo II's wonderfully inventive novel, Four Hands, are Greg Simon and Julio Fernandez: investigative journalists uncovering an elaborate plot by an obscure American government agency to vilify the Sandinista leadership in Nicaragua. The story they discover and type out together weaves truth with lies, wild humor with tragedy, and reality with fantasy–a stranger-than-fiction tale of imperial excess where delusion makes perfect sense.
Joining such historical figures as Harry Houdini, Leon Trotsky, Pancho Villa, and Stan Laurel is a sprawling cast of characters that includes Alex, a spymaster with a knack for the absurd; Rolando, a depraved Mexican drug trafficker; and Stoyan Vasilev, a geriatric Bulgarian counterspy.
A “documentary novel” and a passionate satire about the means and ends of politics, Paco Taibo's Four Hands has been compared to the fiction of Marquéz, Dos Passos, Doctorow, and Heller.
Praise:
“I am his number one fan…. I can always lose myself in one of his novels because of the intelligence and humor.”
—Laura Esquivel, author of Like Water for Chocolate
“Taibo writes with genuine savvy, a crackling wit and a certain zaniness that is his very own…. A storyteller of real genius.”
—Los Angeles Times
“Like Bach (or Houdini), the pleasure Taibo offers us consists in watching him set himself a problem of astonishing complexity and then solve it.”
—New York Newsday
“It’s impossible to review [Taibo II’s] literary work without painting an ideological portrait. He’s probably the writer on the left with the proudest lineage of all those I’ve read.”
—Christopher Domínguez Michael, Letras Libres
“Taibo's prose is rich in metaphor, and his confident, insightful storytelling makes the individual pieces of his novel intriguing long before the connections among them are apparent. Dail's translation does fine justice to the author's colorful, virtuosic narrative.”
—Publishers Weekly
About the Author:
Paco Ignacio Taibo II, or PIT, was born in Gijón, Spain in 1949, before fleeing Franco’s dictatorship with his family in 1958. He has resided in Mexico City ever since, where he’s built a career as a writer, journalist, historian, and perhaps most crucially, a founder of the neopolicial genre in Latin America. His books have been published in 29 countries and translated into nearly as many languages. In addition to being a prolific writer, he is an active member of the international crime writing community and organizes Semana Negra or “Noir Week” in his native Gijón. He has won the Latin American Dashiell Hammett Prize three times, as well as the Mexican Premio Planeta, and several other awards for international crime fiction.
About the Translator:
Laura C. Dail graduated from Duke University and received her Master’s degree in Spanish from Middlebury College. She has served on the board of the Association of Authors Representatives (AAR) and currently chairs the AAR Royalties Committee. A literary agent as well as a translator, she is the head of the Laura Dail Literary Agency.
- Sales Rank: #1085003 in eBooks
- Published on: 2015-01-20
- Released on: 2015-01-20
- Format: Kindle eBook
From Publishers Weekly
Deadly tricks of the international spy trade illuminate various tactics of survival, collaboration, disinformation--and the creative process--in this complex tale of journalism and subversion in Latin America. Cycling back and forth in time and through a protean array of distinct narrative voices and points of view, Mexican crime novelist Taibo ( No Happy Ending ) gradually gives shape to a whirlwind of brief fragments from the lives of his diverse characters. These include Leon Trotsky, Stan Laurel and Houdini, each of whom is presented in an unexpected but somehow credible context. The various narrative threads intersect in 1980s Mexico, where Alex, who comes from an obscure intelligence office in New York, orchestrates his masterpiece of deception, a scheme to vilify the Sandinista leadership in Nicaragua; and where two journalists, Julio and Greg, bring their eponymous four hands together to tell the tale. Taibo's prose is rich in metaphor, and his confident, insightful storytelling makes the individual pieces of his novel intriguing long before the connections among them are apparent. Dail's translation does fine justice to the author's colorful, virtuosic narrative.
Copyright 1994 Reed Business Information, Inc.
From Library Journal
At times reminiscent of Doctorow's work, Four Hands is a glorious documentary-style novel, offbeat and usually comic. Taibo (Some Clouds, LJ 6/1/92) focuses on two 1980s journalists. Both partners and friends, Mexican Julio Fernandez and North American Greg Simon write about politics and revolution for the likes of Mother Jones and Rolling Stone. Interwoven with their stories are strands of fiction and fictionalized nonfiction that span the decades of the 20th century, roaming from the Americas to Europe and back. Other characters include Stan Laurel, Leon Trotsky, and civil engineer and anti-Sandinista Ben Linder. Taibo, who lives in Mexico City, is already well known to Spanish-language readers. This novel belongs in all strong contemporary literature collections.
Mary Margaret Benson, Linfield Coll. Lib., McMinnville, Ore.
Copyright 1994 Reed Business Information, Inc.
From Booklist
Taibo is usually considered a crime writer due to such anarchistic detective novels as No Happy Ending , but even though espionage plays a role here, this hilariously disorienting tale is too slippery for a genre designation. The title refers to lucrative if frequently ludicrous partnerships, such as that of Laurel and Hardy (Stan Laurel plays a key role in this complicated narrative), and the collaboration of the novel's main characters, journalists Greg and Julio. Greg, Jewish and chronically alienated, is the photographer, while Julio, loquacious and sanguine, does most of the writing, although, four-handedly, they manage to crank out articles in both Spanish and English, doubling their earning potential. As they track down their latest story amid the chaos and fervor of Latin American politics, war, gun trading, and drug dealing, they inadvertently parallel Operation Snow White, the goofy, most likely pointless brainchild of a CIA operative named Alex. Taibo's cleverly fractured yet unmistakably pointed plot involves dwarfs both literal and figurative, Houdini, a long-lost manuscript of a mystery written by Trotsky, and wonderfully caustic musings on the cult of information. Taibo ranges all over the map, and we follow, curious and entertained. Donna Seaman
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